In May 1972, Miles got together again with Paul Buckmaster, an English classical cellist involved in pop music and experimental rock, who introduced him to Karlheinz Stockhausen’s music. The two men immediately thought up scenarios combining funk rhythms with the formal and resonant abstractions of contemporary music. On June 1, amid the utmost confusion, Miles called into the studio a number of musicians using a variety of instruments: a guitarist, a bass player, multiple drummers and percussionists, as well as three keyboards and the “Indian room” sitar and tablas.
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